What You'll Find In InDigest This Time:
New fiction from Jimmy Chen:
Each party was documented extensively using digital cameras. Everybody at the party took pictures of the party—either of other people, or more commonly, of themselves with other people, using a method in which one extends one's arms out at an upward angle, holding the camera at a backwards orientation towards themselves while taking a picture.
A gallery of animalia influenced paintings by Gina Germ
In Poetics both Eric Gudas and Nathan Hoks offer up some wonderful new work.
Charles Greene continues to purport that Ulysses is the greatest novel ever, in part II of The Ulysses Sage. Part II delves a little deeper into why exactly the novel is widely considered to be one of the greatest works of literary fiction ever created.
Jess Grover takes on the newest collection of poetry from his former professor Alex Lemon in this month's Is That Cowardly? Jess acknowledges his bias, calls Lemon out once or twice, and states:
Make no mistake: I love Alex Lemon...This is a review of his second volume, Hallelujah Blackout, and it will likely contain descriptions such as magnificent, fractured, ardent, spatially resistant to replication on this page and seductive like a heart drawn on a splintered windshield by lipstick held between the toes of a young person with some sort of prominent facial asymmetry. (Crooked tooth, cleft lip, small stone of gravel healed into the chin).
Bedside Stacks takes a closer look at Anthony Varallo's newest collection Out Loud. Varallo's intentionally tepid dissection of suburban life, the objects that give the life meaning and the fantasies encounter in this landscape are both the pleasure and the bane in this month's column.
That's all for this issue. But keep checking back. We are about to have our one year anniversary here in the InDigest offices and we are going to have a special issue and a big announcement to accompany that special day.
As always, thanks for reading.
Dustin Luke Nelson & David Luke Doody