The good folks (Scott Abel) at Country Music published a poem of mine in the new issue and Ashleigh has a poem in there too and the whole issue is wonderful and I'm sharing it because it's totally worth reading.
Thanks Scott.
Thanks Scott.
InPoetics:
New poetry from Stephen Burt, Ada Limon, Brad Liening, Meggie Elder, Jess Grover, and Erica Wright
InNarratives:
"The Town Secrets," an excerpt from a novel-in-progress, Kings of the Wild Frontier by Meakin Armstrong.
"Interior Illusions," an excerpt from a novella in progress of the same title by Lech Harris.
"Hunting Bambi," a new short story from J. Albin Larson.
InErratica:
In Blunt Force Trauma, a new column about underrepresented books and authors, columnist Joe Finck tackles the legacy of Jim Thompson, the classic pulp novelist.
In Bedside Stacks, Ashleigh A. Lambert takes on The Miracle Letters of T. Rimberg by Geoff Herbach and Vacation by Deb Olin Unferth.
InMusic:
InDigest editor Dustin Luke Nelson interviews composer Ted Hearne, and John Darnielle of The Mountain Goats.
InGallery:
Paintings from Kara Hendershot.
Thanks, once again and always, for reading. We can't overstate how pleased we are to have the opportunity to publish new, interesting, and compelling work for just over a year now. And a special thanks to all who have lent a hand to make this past year possible. First, Dustin and I would like to thank Jesse Sawyer and Chris Koza, two of the founding editors of InDigest. This magazine would not exist without their presence in the beginning. And thanks to all who have given their time in some way or another over the year: Jeremy Smith, Reina Podell, Jay Peterson, Alex Lemon, Charles Greene, Ashleigh Lambert, Jess Grover, Ryan Thompson, Chris Thompson, Dan Wieken, and Neil Reiter - there are a probably a lot of people we are missing here, and we're sorry if we missed you. Suffice to say that David and Dustin are not InDigest by themselves, it takes a whole lot of people to keep this running. Thank you all. And thank you for reading.
David and Dustin
Editors, InDigest Magazine
Each party was documented extensively using digital cameras. Everybody at the party took pictures of the party—either of other people, or more commonly, of themselves with other people, using a method in which one extends one's arms out at an upward angle, holding the camera at a backwards orientation towards themselves while taking a picture.

Make no mistake: I love Alex Lemon...This is a review of his second volume, Hallelujah Blackout, and it will likely contain descriptions such as magnificent, fractured, ardent, spatially resistant to replication on this page and seductive like a heart drawn on a splintered windshield by lipstick held between the toes of a young person with some sort of prominent facial asymmetry. (Crooked tooth, cleft lip, small stone of gravel healed into the chin).